medieval romance

more of the same: continuations (caveat lector: contains Game of Thrones references)

The previous post talked about continuations, haunted by the spectre that haunts us all, growing awareness of being in the anthropocene and impending doom. Doom and dooms. Winter, as they say, is coming.

“Happy” World Goth Day yesterday. (more…)

Intermission: an accidental thing on “Game of Thrones” – contains no (known) spoilers

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Translating rape in “Flamenca” (2)

In the previous post, we saw how the rape of Flamenca was read and written by several translators: from a mysterious medieval hand behind a marginal manicule, to translations published over the last ten years. That is: how, in the narrow and broad senses, her rape was “translated.” This second post looks at how rape was translated out of Flamenca: going beyond the usual senses of translation that include transposition, movement to a different place, away from one language and culture and into another; this translation is one of displacement and removal. Flamenca’s rape is translated out of existence. (more…)

Translating rape in “Flamenca” (1)

Welcome to the first of a set of posts about translation, about scholarly editions as translations, about editorial decisions being individual ethical decisions made by people in a cultural context, and about scholarly responsibility and responsible scholarship. And about the 13th-century Occitan Romance of Flamenca. (more…)

The Joy of Consent: Feeling Together (in some medieval Occitan poetry); FHIS research seminar (2 = talk + slides)

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