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The Consent Project

A gratuitous rant against the hypocritical obscenity of the paedophagocene

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Posted in essays & commentaries & other writing, medievalisings: comparative contemporary commentary and tagged feminism, longreads, respectful environment, scarfolk council, solidarity, the c-word, The Consent Project, wellbeing on 2019-08-23 by obrienatrix. Leave a comment

Translating rape in “Flamenca” (2)

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Posted in essays & commentaries & other writing, medieval commentary, medievalisings: comparative contemporary commentary and tagged Flamenca, longreads, medieval literature, medieval Occitan literature, medieval romance, SF, speculative fiction, the c-word, The Consent Project, translation on 2019-01-25 by obrienatrix. Leave a comment

Translating rape in “Flamenca” (1)

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Posted in essays & commentaries & other writing, medieval commentary, medievalisings: comparative contemporary commentary and tagged Flamenca, longreads, medieval Occitan literature, medieval romance, the c-word, The Consent Project, translation, troubadour erotics and poetics on 2019-01-22 by obrienatrix. Leave a comment

Once upon a time, there were many Flamencas …

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Posted in essays & commentaries & other writing, medieval commentary, medievalisings: comparative contemporary commentary and tagged Flamenca, innovation, longreads, medieval literature, medieval Occitan literature, music, reading, the c-word, The Consent Project, translation, trobairitz, trobar, troubadour erotics and poetics, writing on 2019-01-20 by obrienatrix. Leave a comment

“judici d’amor e razos de trobar” (literally) translated to 2019, respectful workplaces, and fictional chatbots

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Posted in essays & commentaries & other writing, medievalisings: comparative contemporary commentary and tagged educational leadership, innovation, literary criticism, longreads, radical professionalism, respectful environment, storytelling, the c-word, The Consent Project, the p-word on 2019-01-14 by obrienatrix. Leave a comment

Notes: on medieval poetic community and marvellous / uncanny strangeness

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Posted in essays & commentaries & other writing, medievalisings: comparative contemporary commentary and tagged longreads, medieval literature, Michel Zink, razo, reading, reason, the c-word, The Consent Project, Thomas, Tristan, Yseut on 2018-08-03 by obrienatrix. Leave a comment

The Joy of Consent: Feeling Together (in some medieval Occitan poetry); FHIS research seminar (2 = talk + slides)

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Posted in essays & commentaries & other writing, medieval commentary and tagged compassion, Flamenca, innovation, longreads, medieval literature, medieval romance, philology, poetry, the c-word, The Consent Project, trobairitz, troubadour erotics and poetics, Troubadour lyric poetry on 2018-02-28 by obrienatrix.

Commentary, Part Deux: What Would Ursula K. Le Guin Do?

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Posted in essays & commentaries & other writing and tagged education, imagination, innovation, the c-word, The Consent Project on 2018-02-01 by obrienatrix.

Contrapuntal commentary

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Posted in essays & commentaries & other writing and tagged innovation, the c-word, The Consent Project on 2018-02-01 by obrienatrix.

The Joy of Consent: Feeling Together (3: out-takes) #MLA18

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Posted in essays & commentaries & other writing, medieval commentary, medievalisings: comparative contemporary commentary and tagged medieval literature, medieval Occitan literature, poetry, the c-word, The Consent Project, Troubadour lyric poetry on 2018-01-05 by obrienatrix.

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