dante

Musical interlude

There will be no fresh shiny verbose floribundant meta-meta-medieval posts until at least late December due to

  • putting together exams
  • marking student work
  • marking exams
  • individual oral exams (this week)
  • contemplating my navel the medieval Occitan tenso for the purpose of reading-and-research work and/as at least one conference abstract (hello MFB, yes I AM thinking about it sort of out loud I guess…)
  • and life!

For yes, I—even I—get to “have a life” for a couple of weeks, featuring The Beloved. After three months’ absence it will be like a dream. Living the dream in an alternate world. Not like Atlantis, though the place where I will be is currently under heavy Atlantic climatic influence and somewhat flooded.

In the meantime, here is some timely seasonal music. (more…)

Medievalising “The Fall” and Power-Pointing

WARNING: CONTAINS SPOILERS (THE FALL, season 2) AND BIG PICTURES

(and stuff about sex)

I was facebook-talking with some colleagues about PowerPoint, in response to and comment on this article in The Guardian :

Screen Shot 2015-09-25 at 11.24.33 AMCommentary on that article follows at the end of this post.

The main body of this post is an essay. It’s about another kind of two-dimensional rectangular object—a still from a “moving picture”—seeing what you can do with it in relation to commentary around it. Be that as the main focus (and sequence of items) around which other information is built and communicated, and which structures that new thing as a whole, making it into a whole; or as examples punctuating that new main thing; and/or as commentary within it.

Caveats: This essay’s structure may echo the structures in and of its subject-matter: work in progress / process / motion; by someone who works stanzaically and who also happens to work on medieval poetry; it in turn works a lot on and around, to use Chrétien de Troyes’s terms, san et matiere, and work that is itself—as work—une moult bele conjointure through panser et paine. (more…)