The Joy of Consent: Feeling Together (in some medieval Occitan poetry); FHIS research seminar (2 = talk + slides)


The Joy of Consent: Feeling Together (3: out-takes) #MLA18




The Joy of Consent: Feeling Together (1)

The 133rd MLA (Modern Language Association) Annual Convention, New York
2018 Presidential Theme: States of Insecurity
Session 92: LLC Occitan Forum – “Joy: Thinking / Feeling”
Thursday 4 January 2018, 3:30 p.m.



Unicorns (2): inc. the notaunicorn and the unisnailicorn

Not all unicorns are unicorns; their world is a complex one of subsets, intersections, exogamy, extended family, and kith and honorary kin. Here is a second, perhaps less obvious, collection of medieval unicorns (and a few medievalist ones). (more…)

Happy medieval eclipse


“We will, we will, eclipse you”


Christine de Pizan, “Ditié de Jehanne d’Arc”

All images in this post: London, British Library, Harley MS 4431 (Christine de Pizan, but not her Joan of Arc)

As promised in the previous post, here is a PDF facing-column text: Christine de Pizan on Joan of Arc, (more…)

#WhanthatAprilleDay16 – Guilhem de Peitieus / Old Occitan

Phylologystes unite, lat us maken melodye

This post is for
mon aisimen et aizi
mon compagnon en eisil
celui per cui fui trobatz
alter dicat:

Guilhem de Peitieus (1071 – 1127) (more…)



It’s not too late: here in this time-zone, there’s an hour left for hugging medievalists. Here is a round-up of the medievalist huggery that’s being going on today over in the Twitterverse.

First, an explanatory note on Medievalists, why they have a Day online, and why hugging is a fitting tribute.


Democratic “Flamenca”: read it online for free, and relatively cheaply in paperback

Images in the rest of this post are linked to their places of origin (online project, publisher’s website page for an edition) and open in new tabs/windows.

  • two online resources
  • four paperbacks, published between 2008 and 2015, ranging in price from €9.20 to €40.00


NEWS: “Flamenca” (UPDATED with pictures)

Yes! Finally, Flamenca–that great and marvellous Old Occitan romance–has been added to the happy family of Medieval texts that is the “Lettres Gothiques” series, edited by the great and marvellous Michel Zink, and housed at the Livre de Poche.

Flamenca has been previously published in paperback, again in a facing-page bilingual edition: Jean-Charles Huchet’s version for UGE in their “10/18 bibliothèque médiévale” series. That was back in 1988 and it’s been out of print for a while. I’d been waiting and hoping for a good new Lettres Gothiques or Champion Classiques. Being as they are paragons of good bookly virtue: well done editions of the original text, nice translations into modern French that are usually also elegant and pleasing, beauteous introductions (à la Oxford World’s Classics or Penguin Classics), plus some fine critical apparatus, bibliography, the usual. All in the well-formed package that is a good paparback: quality paper and typeface, usually a pretty cover, et à un prix bien démocratique.

I am happy. I am happy because this brings a fine literary work to a wider audience, including enabling its teaching to students; being in an easily-obtained cheaper series makes it easier to put on reading-lists. I am happy for Flamenca, Guillem, Archimbaut, Margarida, Alis, the anonymous authors, anonymous scribes and all other involved in the text and its making. And I’m happy as part of a community of happy people, we lucky few not-very-many who know and love Flamenca. That last happiness is a very Nehamasian happiness, of a community formed and bonded through shared taste.

I haven’t read it yet, having only just heard the news via the Société Guilhem IX (thanks Topher), after which I immediately ordered a copy online. Knowing this series, I would more or less very nearly guarantee that it will be good. Even if it were not, the fact that it’s become accessible in cheaper paperback (once again) is a great and marvellous thing, and to be celebrated. May the joy and enjoyment spread!

To find the new Flamenca, make ingenious use of your engine of choice (as it were and with apologies to Flamenca) to find ISBN 9782253082569. Here’s the information from the publishers: